In the first Shoot It Now post, I described how a scene can unexpectedly change at almost any time when part of the subject is removed. Scenes can also be irrevocably altered when potential subjects are torn down, uprooted, broken, burned, or collapse.
Even though I am primarily a landscape photographer, I also love shooting dilapidated buildings, cars, machines, etc. There’s just something about the textures and patina of those fading relics I enjoy capturing.
During the Spring and Fall workshops at the Great Smoky Mountains Institute at Tremont (www.gsmit.org/photo.html), we always take participants to photograph details of the old, deteriorating homes in Elkmont. It’s one of our most popular shooting locations. A few of those homes are being saved and renovated by the National Park Service, but most are collapsing, and will eventually be torn down and removed.
As an aside, because many of those houses are crumbling, the National Park Service prohibits anyone from going in them. They will ticket you if they catch you inside. This makes a lot of sense, since the floors, walls, and roofs could (and do) give way without warning. If you’re planning to photograph old structures anywhere, please be very careful about exploring inside them.
One of the houses along Little River has a beautiful wooden staircase. Both the stairs and railing are dark brown, which contrasts well with the white ceiling and walls. I have photographed it several times from the collapsing wooden front porch through the always open front door. Fortunately, in addition to the front door, there are three windows just to the left of the staircase, and two across from it that let light into the room.
The first image shows the staircase in 2008. While it is the obvious subject, the subtle shadows on the wall beneath it add interest. Also, the window to the left both gives light and provides depth by showing part of the outside of the house.
By 2013, the roof began to cave in. Somehow, the window screen was still there, despite the window having fallen out. The staircase and its shadows are still the main subjects, but the story now includes the deterioration of the house around it.
Just a year later, the entire roof had collapsed into the room. The arrow highlights all that can be seen of the staircase anymore. Obviously, it can no longer be the subject of any photograph—except this one!
So if you come across a potential subject, photograph it right then and there. You’ll never regret making an image of a particular subject, even if you make a better one later. But you’ll always regret not having photographed it, especially once it’s gone.
©2015 Tom Vadnais Photography. All Rights Reserved.