Category Archives: Photo Thotz

The Recency Effect, So Don’t Delete

Foothills Parkway, Smokies. (ZEISS Otus 85mm f/1.4 on Nikon D810.)

Foothills Parkway, Smokies. (ZEISS Otus 85mm f/1.4 on Nikon D810.)

I made this image in October 2015, but never thought of it again until December 1, 2017. Why did I let it languish? Obviously, the scene struck me enough to make the photograph. But I can’t explain why it took two years to do something with it.

Often, when I come back from a trip, I’m initially disappointed with the collection of images I made. Sure, I’ll have a couple I’ll send to friends to show where I’ve been shooting, but they’re not anything great. Later (and sometimes much later), I reluctantly look through them again, and find one or two that I might be able to make into a decent image. That’s always a fun discovery.

How about you? How many times have you gone back through your older images and wondered why you hadn’t done anything with a specific image? Or, more poignantly, not only do you not remember making that image, but don’t even remember seeing an image like it before? Yet you made it!

Or how about the opposite effect? Several of my photo friends come back from a week shooting, and struggle for a few days to get down to their top 100 favorites from that trip. Ask them again in a couple months, and they’ll tell you they didn’t get anything at all from that very same trip!

What in the world is going on? That phenomenon is often called the recency effect. It can affect photographers in different ways—initially for good or bad. For some, their most recent images are all masterpieces, and they have a hard time choosing just a couple to show. But then, they lose interest in most of them. Others, like me, after an initial period of disappointment, find images they come to really like out of what seemed like a batch of rejects.

This leads to an important point. DON’T EVER delete images that don’t resonate with you the first time you see them. You made them for a reason. Let them simmer, and revisit them on occasion. You might be pleasantly surprised what’s already in your files.

My Five Favorites from 2015

In my last post, I mentioned inviting 21 friends and fellow photographers to submit their five Favorite, not necessarily their five Best, images from 2015. Almost everyone participated, which created an amazing and inspiring collection of images. But even better, this exercise sparked many discussions ranging from practical techniques about how, to more esoteric questions about why, we made or chose a certain image. Much fun.

One of the more esoteric questions still being discussed was how to distinguish between a best and a favorite image. My conclusion, as I proffered in my last post, was that your best images would be interesting, technically sound, and what you intended, but to be a favorite, they also have to evoke an emotional response in you. What we’ve all found is, just like with songs or pieces of music, what moves one person may not register, or may even engender strong dislike, in another. That’s great; it makes us all different. (Some are more different than others, but we’ll ignore that for now…..)

So, here are my five favorites from 2015, with captions showing where they were made. I felt something special when I was drawn to make each image, and I still get that feeling when I look at each of these images. To me, that’s the very essence of a favorite.

Angel Oak, Johns Island, SC. (ZEISS Otus 55mm f/1.4 on Nikon D810.)

Angel Oak, Johns Island, SC. (ZEISS Otus 55mm f/1.4 on Nikon D810.)


Clouds over Abiquiu, NM. (Nikon 70-200mm f/2.8 on Nikon D810.)

Clouds over Abiquiu, NM. (Nikon 70-200mm f/2.8 on Nikon D810.)


Mossy Tree, Carmel Valley, CA. (Nikon 24-70mm f/2.8 on Nikon D810.)

Mossy Tree, Carmel Valley, CA. (Nikon 24-70mm f/2.8 on Nikon D810.)


Clouds over Ridgway, CO. (ZEISS 135mm f/2 Apo Sonnar on Nikon D810.)

Clouds over Ridgway, CO. (ZEISS 135mm f/2 Apo Sonnar on Nikon D810.)


American Beech Tree, Tremont Road, Fall, Smokies. (ZEISS Otus 85mm f/1.4 on Nikon D810.)

American Beech Tree, Tremont Road, Fall, Smokies. (ZEISS Otus 85mm f/1.4 on Nikon D810.)


All images and words ©2016 Tom Vadnais Photography

Favorites vs. Best

At the end of December 2015, I asked 21 friends and fellow photographers to upload their five favorite images made during 2015. The result was a visual feast of fantastic images made anywhere from a backyard to some pretty exotic locations. Many interesting comments and discussions followed, making the exercise even more fun.

One topic that was mentioned in a few group e-mails, and was discussed among several smaller groups, is the difference between a “favorite” and a “best” image. The choice of the word “Favorite”, without a definition or without restrictions, was intentional from the beginning.

There is no single definition, of course, and I’m not sure I can even consistently articulate what distinguishes one from another in my own work. One test I initially thought of was asking myself, “Which five images, if I were to frame them and hang them on the wall, would I still enjoy looking at and have feelings about over time?” I figured those would be what I would consider my favorites. But would they also be the ones I would choose as my best? Are my best images my favorites? So that definition didn’t really help, either.

Does it even matter whether we call them “favorites” or “best”? I think it could.

I was surprised that no one posted any image of any family member, including pets. It’s interesting that a couple people mentioned in e-mails about having favorites of their grandkids, but none of those were submitted. On purpose, there were no restrictions that images had to be of nature, or even made outdoors, although most of them were. There were no limitations on natural or added light; post-processing; subject; or, with or without people. The only restriction was that the images had to have been made in 2015.

Most of my friends know how much I love my God-dog Fredo. I have been her Godfather (Dogfather?) since she was brought home by a friend just a few weeks after she was born. (She’s 7 ½ as of January 2016.) I helped raise her, and we have been best friends since we first met. I made the image below of her in 2009, and it has been my favorite photo ever since. It’s in a frame on my credenza right in my line of sight when I look up from my desk. If I had made it in 2015, it would definitely have been in my five favorites from that year.

Fredo in Office

Fredo in Office

The reason I bring this up is that unfortunately, in 2015, I made only a few quick snaps of Fredo with my cell phone. They remind me of things she does and of times we shared, and they never fail to make me smile. Yet, while they mean a lot to me, and I’m really glad I have them, I didn’t consider them when I was choosing my favorite photographs. The question is “why not”? If she means so much to me, and if I treasure the pictures of those moments with her, how can they not be among my favorite photographs?

Taking that a step further, I regularly take pictures—often with my iPhone, but increasingly with my D810—of places or things I like or have enjoyed. Those photos may be of a favorite restaurant (inside or out), an interesting vehicle, a clever sign, or even a place I regularly stop when I’m on a trip. They are all photos of things that have meant something to me, yet, again, none of those would make the cut as a favorite photograph from any given year. Why not?

Is it the technical quality that makes an image a favorite? Well, I would argue that a well-executed image that doesn’t have any real meaning is nothing more than a technical exercise. That would never be a favorite. (And I still have to fight the urge to make those! But I digress…..)

After several general discussions and much pondering, I’m starting to think that my favorite and my best photographs are tightly intertwined. In fact, they are likely identical. (I haven’t done an exhaustive analysis, but that’s my strong suspicion.) The above image of Fredo would have made the cut if it had been made in 2015 because I like the subject, the subject’s gesture (as Jay Maisel calls it) means something to me, and the technical details (light, composition, framing, sharpness, etc.) all come together, for me. In other words, I captured my chosen subject, at the right moment, with the right composition, at the right exposure for creating the image I intended. If I had made a similar snapshot on my iPhone of her looking off to the right, I might have treasured capturing the moment, but without the technical execution of the version above, it would not likely have made it as a favorite photograph. A favorite memory, certainly, but not a favorite photograph.

So it seems that to be one of my favorites, an image has to be what I intendedbe well-executed, and evoke an emotion in me. All three elements must be there. Fortunately, looking back, the five I chose as favorites of 2015 meet those three criteria for me. (That being said, I have already had at least one person looking through my five 2015 favorites ask how could I have chosen that image?)

As to best versus favorite, the argument could be made that your best images would be interesting and technically sound, but to be a favorite, they also have to evoke an emotional response in you. In the end, most photographers could probably agree on which images are your best, but only you can determine which are your favorites.

If one of my images doesn’t evoke an emotion in me, I wouldn’t consider it one of my best. Hence, for me, my best and my favorites are pretty much the same.

I hope this helps when you’re reviewing your own images. For me, it was worth the exercise.